Alejandro Zambra is the author of My Documents, which was a finalist for the Frank O’Connor International Short Story Award, and three previous novels: Ways of Going Home, The Private Lives of Trees, and Bonsai. His books have been translated into more than ten languages and have received several international prizes. His stories have appeared in the New Yorker, the Paris Review, Harper’s, Tin House, and McSweeney’s, among others. In 2010, he was named one ofGranta’s Best Young Spanish-Language Novelists, and he is a 2015–16 Cullman Center fellow at the New York Public Library. He teaches literature at Diego Portales University, in Santiago, Chile.
Andrea Lunsford is the Louise Hewlett Nixon Professor of English Emerita, Claude and Louise Rosenberg Jr. Fellow, and Former Director of the Program in Writing and Rhetoric at Stanford University. She has published extensively on rhetorical theory, women in rhetoric, collaboration, cultures of writing, style, the graphic novel, and technologies of writing. She has written or coauthored 19 books.
Sponsored by Bedford/St. Martin’s and the Wake Forest University Writing Program.
The talk entitled “De-Ciphering American Literature: 1945-1840-2016” links American literature to the information age. Those interested in the digital humanities as well as American literature will find this talk on Poe and Claude Shannon (the ‘father’ of information theory) of special interest.
Caroline Levander is the Vice President for Strategic Initiatives and Digital Education at Rice University, where she leads the digital learning and scholarship endeavor, including overseeing all online curricula as well as K-20 digital initiatives.
An award-winning cultural and literary critic, Levander teaches, talks, and writes about American life and culture. Her writing has recently appeared in Slate, The New York Times, and Business Insider, and her latest book, Hotel Life: the Story of a Place Where Anything Can Happen, is about the everyday work of one of the world’s most fascinating and strange institutions. In addition to authoring three books including Where is American Literature? (2013) and co-editing many others such as Hemispheric American Studies (2008) and Companion to American Literary Studies (2011), Levander spends time thinking about the future of higher education. She writes and speaks regularly in venues such as Inside Higher Ed and at international higher education and innovation summits.
Of Poetry and Pixels: The Power of a Liberal Arts Education in TV, Film and Journalism
Billy Shebar is a writer, director and producer of TV series and independent films. He helped develop, and produced two episodes of, the new documentary series Dark Net which premieres on Showtime in January 2016. An Emmy-nominated filmmaker, Shebar has made TV documentaries and episodes for major networks including PBS (America by the Numbers, History Detectives), Discovery (King Tut Unwrapped), A&E (The First 48), and TNT (Boston’s Finest).
Shebar has also written several narrative features, including Dark Matter (2007), which starred Meryl Streep, Liu Ye, and Aidan Quinn. Dark Matter won the Alfred P. Sloan Prize at the Sundance Film Festival, and was chosen for Lincoln Center’s Film Comment Selects series. The New York Times called it “a movie of ideas that does an exemplary job of translating scientific speculation into layman’s language,” and TV Guide called it a “hypnotic, culturally pertinent drama.” His previous screenplay, 50 Ways to a Better Memory, won the Grand Prize at CineStory, and was read at Nuyorican Poets’ Café’s acclaimed Fifth Night series. READ MORE >>
The Dillon Johnston Writers Reading Series
Anne Waldman is a prolific poet and performer, creating radical hybrid forms for the long poem, both serial and narrative, as with Marriage: A Sentence, Structure of the World Compared to a Bubble, Manatee/Humanity, and Gossamurmur (Penguin Poets). She is the author of the magnum opus, The Iovis Trilogy: Colors in the Mechanism of Concealment, a feminist cultural intervention taking on war and patriarchy, which won the PEN Center 2012 Award for Poetry. She has been deemed a “counter-cultural giant” by Publisher’s Weekly for her ethos as a poetic investigator and cultural activist and has been at the forefront for decades in creating poetic communities. She was a founder of the Poetry Project at St. Mark’s Church In-the-Bowery and The Jack Kerouac School of Disembodied Poetics at Naropa University with Allen Ginsberg and Diane di Prima. She continues to work at Naropa as a Distinguished Professor of Poetics and Artistic Director of its Summer Writing Program. She is the editor of The Beat Book and co-editor of Civil Disobediences: Poetics and Politics in Action, Beats At Naropa, and Cross Worlds: Transcultural Poetics. Her latest book is Voice’s Daughter of a Heart Yet To Be Born (Coffee House Press, 2016). She is a Chancellor of the Academy of American Poets. Celebrated as a remarkable performer with a unique vocal range including techniques of Sprechstimme and her own model structures, she performs on stages all over the world.
Friday, September 23 and Saturday, September 24, 2016
Old Salem Visitor’s Center 900 Old Salem Rd, Winston-Salem, NC 27101
The 73rd annual Southeastern Renaissance Conference is a two-day event bringing together approximately 40 scholars in English studies and other disciplines from the southeast and elsewhere. The meeting will be held Friday and Saturday, September 23-24, at the Old Salem Visitor Center. Friday 1-9 p.m. (includes reception and dinner); Saturday 8:30-1:30 p.m. $20 includes dinner on Friday. Shuttle from Reynolda campus TBA. For more information, email Olga Valbuena at firstname.lastname@example.org.
Sponsored by the WFU Humanities Institute, the English Department, Medieval and Renaissance Studies, the Dean’s Office, and Provost’s Office.
Gordon Hutner is a professor of American Literature at the University of Illinois, where he directs the Trowbridge Initiative in American Cultures. Professor Hutner is the author and editor of several books in American literature and culture, including What America Read: Taste, Class, and the Novel, 1920-1960. His most recent publications include the second volume of his anthology of immigrant narratives, Immigrant Voices and a collection of essays, coedited with Feisal Mohamed, A New Deal for the Humanities: the Liberal Arts and the Future of Public Higher Education. He is also the founding editor of American Literary History, now in its 28th year. Hutner also edits the Oxford Series in American Literary History, monographs exploring the dimensions and contours of contemporary literary historiography.
Hutner is currently writing a book on 21st century US fiction.