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by Chase Clark, 2026, Senior Colloquium Winner

I am here to lead others toward a welcoming place of belonging for all.

I am a woman, phenomenally, with an expensive smile — at least, that’s what my grandmother always told me. I walk into a room, just as cool as I please. My passion, my purpose found in community. These are truths I hold about myself. Truths confirmed through my experiences as a student at Wake Forest University. While my present sentiments dance with pride and presence, wrapped in the rhythm of Dr. Maya Angelou’s poetry, my journey did not always sound like a confident declaration. Rather, the first year of my Wake Forest career moved more like a whisper, a quiet negotiation between who I was and who I thought I had to become just to belong, just to breathe here. 

Four years ago, I arrived on this campus, suitcases overflowing with freshly purchased clothes: a result of a mother and daughter who believe special occasions deserve the perfect outfit and becoming a student at Wake Forest University was, indeed, a special occasion. Along with those clothes, I carried the weighty expectations I had held since girlhood, some lovingly passed down, many self-imposed. I remember the bearing of my family members as they carried boxes from the car into my new home. Their pride served as the steady assurance that I was exactly where I should be. I cherish that memory, because shortly after they left, the air seemed to shift. Though the walls were freshly painted and the halls buzzed with introductions, I felt a silence settling within me—a stillness that pressed against my chest, reminding me of every room I had to shrink in to survive. In an instant, I was brought back to childhood days, as a childlike Chase was told that she was “too loud” and “too talkative” to ever be successful. I was reminded of all of the times I worked to organize for my non-profit organization, but was given a look of pity rather than a donation. It took me back to those tormented teenage years, when my social media feed and the content on TV seemed to deny the Black woman any opportunity at happiness, success, and love. I was seated in a continuum of all of these experiences as I sat on the foot of my dorm room bed, a stranger in a world that I was also a citizen of. The weight of performance began to set in, like the water eases into shore, I did not fight the familiar because I had been here before.

 Night after night in my dorm room, I wondered how to exist in a space like Wake Forest, a place clearly not designed with me in mind. While I navigated the complicated terrain of being the only Black woman in many of my classes, one of the few black women on my residence hall floor, and the minefield that is daily microaggressive conversation, every choice felt heavier, every gesture deliberate, every word carefully measured before it even left my mouth. Night after night in my dorm room, I wondered  how I could carve out small pockets of comfort where my joy needed no explanation and my decisions, no defense. 

To carry the reach of my dreams

My words and talents

The stride of my steps 

The curl of my lips 

In my first year of college, I learned how to carry through creation. 

I decided to stop shrinking and I started building.

Despite those nightly deliberations on how to craft methods for belonging in this space, marked by notebooks filled with half-formed thoughts and ideas, my daily experiences in this very space began to provide answers. African-American Studies met me where I was, a young Black woman trying to negotiate identity, space, and belonging here. In my first African-American Studies course, I read Toni Cade Bambara, who wrote, “Not all speed is movement.” She reminded me that true revolution, of character and of culture, requires careful, deliberate craftsmanship. Communication courses taught me the rhetorical impression one could make, leveraging language to change not only the world, but your life. Writing courses taught me that everything can be revised, no matter how attached you or anyone else becomes to a particular narrative. From those long nights and daily lessons, I found the inspiration to create my second podcast, Chase At Wake. 

“True revolution, of character and of culture, requires careful, deliberate craftsmanship”

 It was never just about making a podcast, but rather crafting a mirror, creating an active archive, building a welcoming home for voices too often pushed to the margins and inviting those voices to provide that same support for others. 

Over time, the podcast became a presence in campus life. First-year students stopped me in Tribble Courtyard, saying they recognized my voice, sharing how Episode Four helped them navigate Wake’s culture. A high school student from Connecticut wrote that my words made Wake feel like a place she could belong. I have led campus tours where students lingered afterward, thanking me for the honesty I had recorded late at night, alone, in my dorm room. As I gave language to my truth, that truth echoed back to me—louder, clearer, and alive in the community it had helped to create. Through my podcast, I discovered my purpose: I am here to lead others toward a welcoming place of belonging for all.  This  purpose shaped everything that followed. By junior year, I was saying  “yes” to everything I once felt too small to claim. I studied abroad in London and Greece. I conducted research in the African-American Studies department. I became President of the Black Student Alliance, and have served for two years. Other roles followed: A Resident Advisor. A President’s Aide. A tour guide. I wrote for three different school publications. I joined the sorority of my dreams, thus creating an additional connection to Dr. Angelou. All the while, I was still producing my podcast, managing my academic workload, and leading through my nonprofit organization, Chase’s Chance. As I near the end of my time here, I see that I gave my all to Wake Forest because it gave me the time and space to reflect, grow, and cultivate a vision of a better world. Not only that, but Wake Forest gave me the tools and network needed to help create that world. 

From the questioning first-year student walking across the Quad, unsure of herself and her place at this University, to the woman standing before you today, I have found my voice, and I have used it to create a space that I now hold dear. Nowadays, you will see me running across campus, notebook always in hand, email steadily open, and a head full of plans;  you will hear me laughing too loudly in Benson, or whispering affirmations to a first-year student. Know that when you watch me advocate, organize, lead: I am not just moving for me. Rather, I am guided by reverence for my ancestors, who lived and worked on a plantation I was fortunate to visit and research this past summer. I am their threshold for contemporary revival. I act for the youth of my city, hoping to expand their horizon  of possibilities, despite worldly doubts of our capability. I am their advocate and their cheerleader. I move now for the Black students who will walk these halls long after I am gone, wondering if they, too, belong. I am their voice, and they have been my motivation.

And now you understand—
Just why my head’s not bowed.
Why I walk with purpose,
Running from each side of campus, if time allows.
When you see me pass by

Know I am busy making my people proud

Proud of who I am growing to be:
A woman filled with purpose,
Moved by a mission to serve humanity,
A woman who has spent her time at Wake Forest—Phenomenally.


2026 Senior Colloquium Runners-Up & Honorable Mentions